Cooke 50mm Anamorphic/i 1.8x Full Frame Plus Lens (PL) Review
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Our editorial take on the Cooke 50mm Anamorphic/i 1.8x Full Frame Plus Lens (PL)
The Cooke 50mm Anamorphic/i 1.8x Full Frame Plus lens successfully translates the esteemed 'Cooke Look' into the modern large-format anamorphic space. It is not a lens for cinematographers seeking sterile perfection. Instead, it delivers a deeply character-rich image, defined by its gentle sharpness, flattering skin tone reproduction, and a warm, dimensional quality that feels distinctly organic. The aesthetic is painterly, creating beautiful oval bokeh and controlled, classic horizontal flares that add production value without overwhelming the frame. It's a deliberate artistic choice for those who want their images to have a tangible personality.
Designed specifically for full-frame digital cinema cameras, the 1.8x squeeze factor is a perfect match for sensors with a 1.5:1 aspect ratio, creating a final 2.40:1 image with minimal cropping. While these lenses carry the formidable build quality and precision mechanics expected of a top-tier manufacturer, their primary selling point remains their unique visual signature. They stand as a softer, more romantic alternative to technically pristine competitors, offering a sought-after vintage feel in a modern, reliable housing. This is a tool for creating a specific mood, not just capturing a scene.
- Delivers the classic, beloved 'Cooke Look' with warmth and beautiful skin tones
- Produces beautiful oval bokeh and characteristic anamorphic flares
- Full-frame coverage designed for modern large-format sensors
- Excellent, robust mechanical build quality for professional use
- Consistently matched color and character across the entire lens set
- Extremely high cost limits ownership primarily to rental houses
- Heavy and physically large, requiring robust camera support
- The 1.8x squeeze can require specific monitoring and post-production workflows
- Strong visual character may not be suitable for all projects
Synthesized by Geared editors from early expert reviews.
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Editorial reviews
Happy days for anamorphic shooters! Along with the release of the four new lenses above, Cooke also announced a fresh Anamorphic/i lens: the 180mm T2.3.
The new Cooke 1.8x Anamorphic/i Full Frame lenses are claimed to have the familiar, and classic “Cooke look” of their smaller super35 cousins. These new lenses should produce nice horizontal streaks and a pleasing bokeh.
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About this product
This 50mm T2.8 Anamorphic/i 1.8x Full Frame Plus Prime Lens provides an anamorphic version of the classic "Cooke look", designed for both digital cinema and film use. It covers image formats up to full frame and provides a 1.8x squeeze for optimal pixel capture and a classic anamorphic look. The lens is color-balanced and color-matched with other Cooke lens series.
Specs
- Length
- 8.03" / 204 mm
- Weight Kg
- 4 kg
- Weight Lb
- 8.82 lb
- Lens Mount
- ARRI PL
- Focal Length
- 50mm
- Focus Scales
- Metric, Imperial
- Filter Thread
- No
- Gear Standard
- 0.8 MOD
- Diameter Front
- 4.3" / 110 mm
- Maximum Aperture
- T2.3
- Minimum Aperture
- T22
- Camera Connection
- LEMO 4-PinData
- Gear Rotation Iris
- 90°
- Gear Rotation Focus
- 270°
- Image Stabilization
- No
- Lens Format Coverage
- Full-Frame (36 x 24 mm Sensor / 46.3 mm Image Circle)
- Minimum Focus Distance
- From Front of Lens: 2' / 600 mm
- Angle Of View Full Frame
- Diagonal: 77°
- Electronic Communication
- Yes
- Horizontal Squeeze Anamorphic
- 1.8x
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