Panasonic S1H II
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Our editorial take on the Panasonic S1H II
The Panasonic S1H II builds on the original S1H's reputation as a video-first full-frame mirrorless camera, offering serious filmmaking capability in a rugged magnesium alloy body. With 6K recording at up to 30p, unlimited recording in 4K 30p/24p, dual native ISO across multiple log profiles (V-Log, HLG, Cinelike D2/V2), and 14 stops of dynamic range, it targets hybrid shooters and indie filmmakers who need production-grade specs without stepping up to dedicated cinema cameras. The internal fan, SMPTE time code support, front and rear tally lamps, and Netflix-approved credentials position this as a workhorse for serious video work.
Reviewers consistently praise the S1H II's out-of-the-box image quality and comprehensive video feature set. The dual native ISO system, V-Log performance, and robust build quality earn repeated commendation. The camera's low-light capability and unlimited recording in key modes make it a standout for long-form content. However, the contrast-detection autofocus system lags behind phase-detect competitors, and the 6 fps continuous shooting in AF-C mode won't satisfy action or wildlife photographers. Still photography specs are adequate but clearly secondary to the video mission. For those who need a camera that can handle professional video demands with solid hybrid capability, this is a compelling option at its tier.
- Outstanding video feature set with 6K, unlimited recording, and dual native ISO across multiple log profiles
- Excellent out-of-the-box image quality with 14 stops of dynamic range and robust V-Log performance
- Rugged magnesium alloy build with weather sealing and internal fan for sustained video work
- Professional-grade video tools including SMPTE time code, tally lamps, and Netflix approval
- Strong low-light performance and 6-stop IBIS (6.5 stops with Dual I.S. 2)
- Contrast-detection autofocus trails behind phase-detect competitors in speed and tracking reliability
- Modest continuous shooting at 6 fps in AF-C limits appeal for fast action photography
Synthesized by Geared editors from aggregated expert reviews.
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Panasonic just announced the new S1H full-frame mirrorless camera, its video-centric follow-up to the S1 and S1R, so we decided to try it on a commercial video shoot. We filmed at Frames Bowling, in New York City, with mostly available light, testing the camera’s low-light capabilities, as well as 6K and 4K video modes.
The Panasonic S1 II is a familiar experience to anyone who has handled a Panasonic mirrorless camera before. In fact, it is an identical experience to the recently released S1R II because they share the exact same chassis. I can attest to the ruggedness of the S1R II after a few days exposing it to harrowing Norwegian weather, so I am confident in the build quality of the S1 II.
It’s a fresh iteration of the Lumix S1, which made its debut at Photokina last year and which I’ve recently tried and been delighted by. If the Lumix S1H keeps that going and extends it into the video realm, Panasonic will have another winner on its hands.
If videography is your primary concern and you’re considering making the leap to the L-mount, this now represents Panasonic’s top-of-the-line offering.
Netflix approved and it’s great for photographers, too. At $4,000, it's expensive for a consumer camera, but for TV and film producers, it will actually be a tempting low-budget option.
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Currently it is the best mirrorless camera that can shoot video in the market. Of course, no filming device is perfect, but any manufacturer who would like to produce something even better will have to work harder to achieve this.
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Specs
- Battery
- DMW-BLJ31, approximately 400 shots (LCD), 380 shots (EVF), 1150 shots (Power Save LVF mode)
- Build Material
- Magnesium alloy
- Weather Sealing
- Yes (splash, dust, freezeproof)
- Bit Depth
- 10-bit 4:2:2
- Raw Video
- External (via HDMI to compatible recorder)
- Log Profiles
- V-Log, Hybrid Log Gamma (HLG), Cinelike D2, Cinelike V2
- Max Frame Rate 4k
- DCI 4K 60p, UHD 4K 60p
- Max Frame Rate Hd
- 1080/180p
- Max Recording Time
- Unlimited (4K 30p/24p), 29 min (4K 60p)
- Max Video Resolution
- 6K (5952 x 3968)
- Evf Lag
- 0.005 s
- Af Speed
- 0.08 s
- Time Code
- SMPTE-compliant
- Tally Lamps
- Front and rear
- Internal Fan
- Yes (heat dissipation, unlimited recording)
- 6k Photo Mode
- Yes (8 MP or 18 MP stills at 30/60 fps)
- Anamorphic 4k
- Yes (4:3 aspect ratio, APS-C mode, 60p)
- Dynamic Range
- 14 stops
- Focus Peaking
- Yes
- Af Point Scope
- 3x to 10x magnification
- Top Status Lcd
- 1.8 inch, 303 x 230-dot
- Flash Sync Speed
- 1/320 s
- Pc Sync Terminal
- Yes (doubles as TC in/out)
- Shutter Rated For
- approximately 400,000 actuations
- Evf Contrast Ratio
- 10,000:1
- Variable Frame Rate
- 30x to -7.5x
- Color Bars Test Tone
- Yes (1 kHz)
- High Frame Rate Mode
- Yes (4:2:0 10-bit with audio and AF)
- High Resolution Mode
- 96 MP (JPEG and RAW)
- Sensor Communication Rate
- 480 fps
- Sensor Size
- Full-frame
- Sensor Type
- Full-frame CMOS
- Image Processor
- Venus Engine
- Effective Megapixels
- 24.2 MP
- Dual Native Iso
- Yes (ISO 640/4000 with V-Log, ISO 100/640 normal mode, ISO 400/2500 with HLG, ISO 200/1250 with Cinelike D2/V2)
- Iso Range Stills
- ISO 100-51200
- Continuous Shooting
- 9 fps (AF-S), 6 fps (AF-C)
- Shutter Speed Mechanical
- 1/8000 s
- Viewfinder
- OLED EVF, 5.76m-dot, 0.78x magnification, 60/120 fps refresh rate
- Rear Screen
- 3.2 inch, 2.33m-dot, touchscreen, tilt and free-angle
- Touchscreen
- Yes
- Lens Mount
- L-mount
- Crop Factor
- 1.0x
- Usb
- USB Type-C
- Hdmi
- HDMI Type-A
- Audio Io
- 3.5mm microphone, 3.5mm headphone, optional XLR adapter
- Wireless
- Bluetooth 4.2, Wi-Fi
- Card Slots
- Dual SD UHS-II
- Ibis
- 5-axis, 6 stops (up to 6.5 stops with Dual I.S. 2)
- Af Points
- 225 areas
- Af System
- DFD (Depth-From-Defocus) contrast-detection
- Af Low Light
- -6 EV
- Subject Detection
- Face, eye, body detection
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