Blackmagic Design URSA Broadcast G2 Camera Review

The Blackmagic Design URSA Broadcast G2 is a hybrid workhorse aimed squarely at broadcasters who need one camera body to handle both studio pedestals and shoulder-mounted ENG work. Built around a 6K CMOS sensor with dual native ISO at 400 and 3200, it delivers 13 stops of dynamic range and records to both CFast 2.0 and SD UHS-II cards in Blackmagic RAW, ProRes, and H.265. The interchangeable lens mount system ships with a B4 mount and active EF adapter, with PL available as an option, giving you flexibility across broadcast glass and cinema lenses. Built-in ND filters at 1/4, 1/16th, and 1/64th stop, 12G-SDI output, and dual XLR inputs round out a package clearly designed for live production and field acquisition.

At under $5,000, the URSA Broadcast G2 occupies a sweet spot for stations and production houses that want a single platform for multiple shooting scenarios without stepping up to dedicated cinema or high-end broadcast iron. The magnesium body keeps weight manageable for handheld work, and the codec flexibility means you can match existing workflows or pivot between broadcast and film delivery. For shops juggling studio multicam setups and run-and-gun field shoots, this consolidates two gear closets into one.