ARRI ALEXA 35 Base Entry Set (LPL, CCM) Review
We've aggregated 3 high-signal reviews and 1 live retailer price below.

Our editorial take on the ARRI ALEXA 35 Base Entry Set (LPL, CCM)
ARRI has repositioned its flagship ALEXA 35 sensor and image pipeline into a more accessible package with the Base Entry Set. This version delivers the same Super 35 CMOS sensor, 17 stops of dynamic range, and renowned ARRI color science as the Premium model, but ships with a reduced feature set that can be unlocked later through paid licenses. Out of the box, you get ProRes recording up to 4.6K at 60 fps, the built-in ND filter wheel, and spherical workflows, but miss higher frame rates (120 fps), ARRIRAW capture, and open-gate shooting for anamorphic production. The new Codex Compact Drive Express media brings recording costs down as well, though it's ProRes-only.
Starting around 50,000 euros, the Base Entry Set lowers the threshold for owner-operators and smaller production houses that want the ALEXA 35 look without the full freight of the Premium configuration. The ability to add capabilities via software licenses over time makes this a genuine stepping stone rather than a permanently crippled option. For productions that don't need anamorphic or RAW workflows immediately, it's a practical way into ARRI's ecosystem without sacrificing image quality.
- Same sensor and ARRI color science as the Premium ALEXA 35
- 17 stops of dynamic range with ProRes up to 4.6K at 60 fps
- Built-in mechanical ND filter wheel (2, 4, and 6 stops)
- Software-upgradeable via licenses for ARRIRAW, 120 fps, and anamorphic
- Lower-cost Codex Compact Drive Express media option
- No ARRIRAW, 120 fps, or open-gate anamorphic out of the box
- Still costs around 50,000 euros at entry
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Editorial reviews
ARRI just introduced an ARRI ALEXA 35 Base Model that has the same exact hardware as the original ALEXA 35 (now called ALEXA 35 Premium Model) but is missing several software features such as open-gate shooting for anamorphic production, ARRIRAW or 120 fps recording. A more affordable version of a Codex Drive, the Codex Compact Drive Express, was also introduced, which can only record ProRes.
If you have ever wanted an ALEXA 35, but the price was out of reach, ARRI is now offering a lower entry price, lower-cost media, and flexible licenses.
Arri is lowering the barrier to entry in high-end cinema by making its very popular Arri Alexa 35 camera more affordable via a new “base model,” starting at 49,800 euros. This reduces the barrier of entry, even though it remains high, helping some projects get off the ground or be better, and putting professional gear into more people’s hands.
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Specs
- Battery
- B-Mount
- Video I O
- BNC
- Focus Mode
- Manual Focus Only
- Lens Mount
- Interchangeable Mount
- Gamma Curve
- ARRI Log C, Rec 2100 HLG, Rec 2100 PQ, Rec709, Rec2020
- Capture Type
- Video Only
- Image Sensor
- 27.99 x 19.22 mm (Super35) CMOS
- Shutter Type
- Electronic Rolling Shutter
- Shutter Angle
- 5 to 356°
- Shutter Speed
- 1/8000 to 1 Second
- Max Video Output
- via Proprietary Module / SDI/BNC 720p
- Built In Cc Filter
- No
- Built In Nd Filter
- Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters
- Lens Communication
- Yes
- Built In Microphone
- St
- Image Stabilization
- No
- Max Recording Modes
- ProRes 422 HQ/ProRes 4444/ProRes 4444XQ 12-Bit Up to 4.6K from 0.75 to 60.00 fps
- White Balance Range
- 2000 to 11,000K
- Iso Gain Sensitivity
- Native: 160 to 6400
- Mobile App Compatible
- Yes: iOS & watchOS
- Signal To Noise Ratio
- Not Specified by Manufacturer
- Internal Filter Holder
- No
- Media Memory Card Slot
- Single Slot: Codex Compact Drive
- Advertised Dynamic Range
- 17 Stops
- Effective Sensor Resolution
- Not Specified by Manufacturer
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