ARRI AMIRA Live Review
We've aggregated 1 high-signal review and 0 live retailer prices below.

Our editorial take on the ARRI AMIRA Live
The ARRI AMIRA Live is a cinema camera built around ARRI's proven 35mm ALEV III CMOS Super35 sensor, the same imaging engine found across the company's high-end cinema line. It records internally to dual CFast 2.0 cards in ProRes 4444 XQ, ProRes 4444, and ProRes 422 HQ, with Log C support for wide dynamic range capture. The camera handles UHD 4K up to 60 fps and can push HD frame rates to 200 fps, making it versatile for both narrative and high-speed work.
The AMIRA Live sits in ARRI's broadcast and live-production tier, designed for multi-camera workflows and environments where reliability and color science matter more than raw modularity. It ships with the MVF-1 viewfinder and offers PL mount with LDS compatibility out of the box, plus options for B4 and EF mounts. Wi-Fi connectivity is onboard for remote control and monitoring. This camera is aimed squarely at production houses, broadcast studios, and live event teams that need ARRI's color science and build quality in a less modular, more operator-friendly package than the ALEXA line.
- ARRI ALEV III Super35 sensor with renowned color science
- Records ProRes 4444 XQ internally to dual CFast 2.0 cards
- High frame rate capability (200 fps in HD, 60 fps in UHD 4K)
- Multiple lens mount options (PL, B4, EF) with LDS support
- Includes MVF-1 viewfinder for integrated monitoring
- No pricing information available
- CFast 2.0 media is more expensive than SD or XQD alternatives
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Specs
- Log Profiles
- Log C
- Internal Codecs
- ProRes 4444 (XQ), ProRes 4444, ProRes 422 (HQ)
- Max Frame Rate 4k
- UHD 4K60
- Max Frame Rate Hd
- 200 fps
- Max Video Resolution
- UHD 4K
- Sensor
- 35mm ALEV III CMOS sensor
- Sensor Size
- Super35
- Sensor Type
- CMOS
- Viewfinder
- MVF-1 Viewfinder Included
- Lens Mount
- PL mount with LDS compatibility, PL, B4, and EF options
- Wireless
- Wi-Fi
- Card Slots
- 2x CFast 2.0
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