ARRI ALEXA 35 Live (Multicam) Review

The ARRI ALEXA 35 Live (Multicam) is a specialized variant of ARRI's flagship Super35 cinema camera, purpose-built for multicamera workflows and live production environments. It pairs the ALEXA 35's core imaging pipeline with IP streaming capabilities, making it a natural fit for broadcast studios, live events, and high-end multicam shoots that demand cinema-grade image quality. The camera records to Codex Compact Drives in ProRes up to 4444 XQ and offers 4K capture at 60fps with ARRI's signature 17 stops of dynamic range and LogC4 color science. It's Netflix-approved and ready for premium narrative work, though its live-focused feature set suggests ARRI designed it primarily for controlled multicam scenarios rather than solo documentary or indie productions.

At 2,900 grams, it's a full-size cinema camera that requires B-Mount batteries and draws 90 watts, so plan for proper rigging and power management. The built-in mechanical ND filter wheel is a practical touch for fast-changing lighting, and the ARRI PL mount (with interchangeable mount support) keeps it compatible with a wide range of cine glass. The fixed non-touch LCD and manual-focus-only operation reinforce its professional positioning, where dedicated camera operators and focus pullers are expected. Without reviews or pricing, it's hard to gauge real-world reception, but the specs point to a capable tool for productions that need the ALEXA 35 look across multiple synchronized cameras.