ARRI

ARRI Signature Prime 75mm T1.8 Anamorphic (LPL) Review

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Live prices and creator coverage for the ARRI Signature Prime 75mm T1.8 Anamorphic (LPL) - everything in one place.

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ARRI Signature Prime 75mm T1.8 Anamorphic (LPL)
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Our take
Worth consideringPreliminary

Our editorial take on the ARRI Signature Prime 75mm T1.8 Anamorphic (LPL)

The ARRI Signature Primes represent a distinct philosophy in modern cinematography. While the request specified an anamorphic lens, it's important to clarify that the Signature Primes are, in fact, ARRI's flagship spherical lenses for large-format cinematography. Their core identity is one of optical perfection. These lenses are designed to deliver a pristine, high-resolution, and exceptionally clean image, providing a technically flawless canvas. The image is beautiful yet neutral, with minimal focus breathing, perfect color matching across the set, and a smooth, naturalistic feel.

The real genius of the Signature Prime system lies in its approach to creative control. Instead of baking in a strong vintage character, ARRI provides cinematographers with a magnetic rear-filter holder. This allows for the use of ARRI's Impression V filters to precisely craft and tune the lens's character, affecting bokeh, introducing stylized flare, and adding diffusion on demand. This modularity, combined with a fast T1.8 aperture and surprisingly lightweight magnesium construction, makes the Signature Primes an incredibly versatile and powerful toolset for DPs who want ultimate control over their final image.

Best for: Top-tier cinematographers and rental houses needing a technically perfect large-format lens set with unparalleled creative control.
What's great
  • Pristine, high-resolution optical performance for large format sensors
  • Fast T1.8 maximum aperture enables shallow depth of field and low-light shooting
  • Unique magnetic rear-filter system allows for extensive creative customization
  • Extremely well-controlled focus breathing, distortion, and chromatic aberration
  • Lightweight magnesium construction relative to other high-end cinema primes
  • Excellent color neutrality and consistency across the entire lens set
Watch outs
  • Extremely high purchase price makes them a rental item for most productions
  • Lacks a built-in, unchangeable vintage character, which some DPs may prefer
  • Creative flexibility is dependent on the additional purchase of Impression V filters
  • Native LPL mount requires adapters for use outside the ARRI ecosystem

Synthesized by Geared editors from early expert reviews.

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Specs

Body
Mount
ARRI LPL
Extras
Filter Thread
No
Gear Standard
0.8 MOD
Camera Connection
LEMO 4-Pin (Cooke /i Technology Lens Data / ARRI LDS)
Rear Filter Holder
Magnetic
Image Stabilization
No
Aperture Iris Blades
11
Electronic Communication
Yes
Optical
Max T Stop
T1.8
Focal Length
75mm
Image Circle
Large Format (46 mm Image Circle)
Release
Release Date
2018
Mechanics
Front Diameter
114mm
Live prices

Where to buy

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  • B&H Photo
    new● In stock
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